{"id":341,"date":"2021-05-14T06:52:46","date_gmt":"2021-05-14T06:52:46","guid":{"rendered":"https:\/\/bruceducat.com\/?page_id=341"},"modified":"2023-06-29T03:05:21","modified_gmt":"2023-06-29T03:05:21","slug":"about-bruce","status":"publish","type":"page","link":"https:\/\/bruceducat.com\/en\/about-bruce","title":{"rendered":"About Bruce"},"content":{"rendered":"

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\u201cWe must overcome the notion that we must be regular\u2026 it robs you of the chance to be extraordinary and leads you to the mediocre.\u201d\u00a0<\/span><\/h3>\n

Uta Hagen\u00a0<\/span><\/h3>\n

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Right from<\/span><\/h2>\n

Hollywood\u00a0<\/span><\/h2>\n

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Actors by their very nature aren\u2019t the same as any other. It is this individual essence that makes them special creative souls. Their artistry enlightens and enriches the lives of audiences everywhere. So, it stands to reason that a professional coach for actors be prepared to provide each and every actor with tools that will help him or her specifically. While I respect Stanislavsky\u2019s work, there are large numbers of actors who do not learn anything from the work. Actor training is supposed provide ALL actors with tools to best develop their skills. To that end I see to it that my actors are exposed to the very best techniques available.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” admin_label=”Timeline” _builder_version=”4.9.0″ background_color=”#FFFFFF” background_enable_image=”off” background_size=”initial” background_position=”bottom_left” custom_padding=”118px||73px|||” da_disable_devices=”off|off|off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ text_font=”|600|||||||” text_line_height=”1.8em” header_2_font=”Roboto|700|||||||” header_2_font_size=”6em” header_4_font=”Merriweather||||||||” header_4_text_color=”#e94558″ header_4_line_height=”1.4em” header_2_font_size_tablet=”60px” header_2_font_size_phone=”75px” header_2_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”14px” header_4_font_size_last_edited=”on|phone” locked=”off”]<\/p>\n

<\/h4>\n

Success<\/span><\/h2>\n

over the<\/h2>\n

years<\/span><\/h2>\n

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Extraordinary Partnership<\/p>\n

[\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″][et_pb_text _builder_version=”4.0.10″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off”]<\/p>\n

In this year, Bruce got the opportunity to coach Julie Andrews and work for the great director Blake Edwards\u00a0Julie Andrews<\/strong>\u00a0em um trabalho com o excelente diretor\u00a0\u00a0Blake Edwards.<\/strong><\/p>\n

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Award Winning Work<\/p>\n

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Two productions directed by Bruce in Hollywood won prestigious Dramalogue Awards.<\/strong><\/p>\n

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Outstanding Students<\/p>\n

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Neste ano tive uma turma completamente formada por currently starring on a TV series.<\/strong> no momento.<\/p>\n

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Seven Days in a Roll<\/p>\n

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At a given time, you could see one of Bruce's actors on Television on each night of the week.<\/p>\n

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First Emmy<\/p>\n

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First Emmy that a student of Bruce won.<\/p>\n

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Made in Hollywood<\/p>\n

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Bruce's first Hollywood production<\/p>\n

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1\u00ba Workshop in Brazil<\/p>\n

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The beginning of a success history.<\/p>\n

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Second Time on Hollywood<\/p>\n

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My second play was accepted to the Hollywood Fringe Festival<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.9.0″ custom_padding=”|||30px|false|false” scroll_horizontal_motion_enable=”on” scroll_horizontal_motion=”0|50|50|100|1|0|0″ scroll_fade_enable=”on” border_color_all=”#923599″ border_width_left=”2px”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″][et_pb_blurb title=”2021″ use_icon=”on” font_icon=”%%61%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”40px” _builder_version=”4.9.0″ header_level=”h5″ header_font=”Oswald|||on|||||” header_text_color=”#923599″ header_line_height=”1.4em” body_font=”Merriweather|700|||||||” body_text_color=”#000000″ body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” locked=”off”]<\/p>\n

Recognition<\/p>\n

[\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″][et_pb_text _builder_version=”4.9.0″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off”]<\/p>\n

At this very moment, Bruce's students have accumulated a total of 19 Emmys and 23 nominations.<\/strong><\/p>\n

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<\/h1>\n

Become part of\u00a0this story<\/span><\/h1>\n

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Eu n\u00e3o uso apenas um “M\u00e9todo”, tenho minhas pr\u00f3prias t\u00e9cnicas que desenvolvi ao longo do tempo. A maior prova de que essas t\u00e9cnicas funcionam \u00e9 a quantidade de atores infantis, adolescentes e adultos atualmente trabalhando gra\u00e7as a elas. Mas serei o primeiro a admitir que, \u00e0s vezes, uma t\u00e9cnica espec\u00edfica n\u00e3o funcionar\u00e1 com um determinado ator de uma determinada idade. \u00c9 por isso que \u201croubei\u201d dos melhores. Na verdade, MINHA t\u00e9cnica \u00e9 composta de muitas t\u00e9cnicas. Konstantin Stanislavsky, Stella Adler, Peter Brook, Harold, Clurman, Sanford Meisner, Viola Spolin, Michael Chekhov, meu favorito, Uta Hagen e, claro, minhas pr\u00f3prias t\u00e9cnicas pessoais que venho desenvolvendo s\u00e3o usadas conforme necess\u00e1rio, dependendo do ator e os g\u00eaneros envolvidos. Por que tantas t\u00e9cnicas? Porque, como eu disse, n\u00e3o h\u00e1 dois atores iguais. Os atores n\u00e3o s\u00e3o peda\u00e7os de massa de biscoito a serem moldados e modelados por um cortador de biscoitos universal para parecer e agir exatamente da mesma forma. Nossos cursos s\u00e3o uma mistura equilibrada de cena e trabalho de mon\u00f3logo e improvisa\u00e7\u00e3o, tudo baseado na realidade pr\u00e1tica da ind\u00fastria.<\/span><\/span><\/span><\/span><\/p>\n

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about us<\/h4>\n

Bruce Ducat \u00e9 um profissional norte-americano com mais de 3 d\u00e9cadas de experi\u00eancia em mentoria de atua\u00e7\u00e3o em Hollywood, tendo trabalhado com atua\u00e7\u00e3o para c\u00e2mera (cinema e TV) e teatro na Broadway. Tamb\u00e9m trabalhou com dire\u00e7\u00e3o de elenco e casting para diversos filmes e s\u00e9ries famosos nos EUA. Sua lista de clientes possui diversos ganhadores de pr\u00eamios EMMYs e OSCARs. Bruce Ducat tem um diferencial incr\u00edvel, al\u00e9m de ter desenvolvido uma metodologia pr\u00f3pria, possui uma maneira de trabalhar totalmente leve, encorajadora, positiva, acolhedora por\u00e9m, profunda e crescente. Tudo \u00e9 customizado de acordo com a necessidade e evolu\u00e7\u00e3o de cada ator. Atualmente est\u00e1 vivendo no Brasil. Quando n\u00e3o est\u00e1 trabalhando em alguma s\u00e9rie ou filme, oferece workshops presenciais nas principais capitais e aulas on-line individuais ou em dupla para atores de qualquer parte do planeta, em ingl\u00eas ou com int\u00e9rprete para portugu\u00eas\/ingl\u00eas.<\/p>\n

Hor\u00e1rios de Funcionamento<\/h4>\n

Segunda \u00e0 sexta em hor\u00e1rio comercial.
Finais de semana, sob consulta.<\/p>\n

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